Who contributes more to the public perception of a building, the architect or the photographer? For Harwell Hamilton Harris, a California architect in the 1930s and 40s, the photographer who helped make Harris’s buildings famous was one of the 20th century’s most celebrated Surrealists--Man Ray. Man Ray embraced the new ideas of art and culture, he was one of the leading spirits of DADA and Surrealism and the only American artist to play a prominent role in the launching of these two influential movements. He had never photographed architecture when Harris commissioned him to photograph three of Harris' most interesting houses. Man Ray’s architectural photos were unlike anything Harris had ever seen--and Man Ray never photographed architecture again. We, who are interested in architecture and art, are the better for Man Ray’s short, but memorable side trip into architecture, when two great artists--one a mild-mannered modernist, and one a Dada Surrealist--met on sunny hillsides in Los Angeles and Berkeley and created works of art, in architecture and photography. For more information about Man Ray and his art, read Ingrid Schaffner's book, The Essential Man Ray (2003,The Wonderland Press, Harry. N. Abrams, publishers). To see Man Ray's work online, visit www.manraytrust.com. And see what's surreal at www.tedwells.com. Photograph of the Weston Havens House, Architect: Harwell Hamilton Harris; Photo by Man Ray, Copyright Man Ray Trust.

Many architects are wary of openly discussing the word beauty – in Alain de Botton’s book, The Architecture of Happiness, he asks the large and naïve question: What is a beautiful building? Is it too much to ask of our buildings to aspire to that which we long for in our hearts? Many architects would answer, "Yes." Rather than see architecture as an aspiration of the best of what life can be, many see architecture as reflective of the worst of what life is. If architects do not think that buildings affect society and can contribute to the happiness and well-being of those who use the buildings, then architects devalue their profession and are saying that their work has no importance. Yet if architects admit that their work can affect society and make a difference in a users life, and yet architects insist on designing buildings that are confrontational and conflicted, then architects are knowingly contributing to the decay and dysfunction of society. In a world where we are constantly told how bad things are, architecture can give us hope about how things could be better. That’s an ancient idea whose time has come again. The Architecture of Happiness by Alain de Botton is published by Pantheon. www.randomhouse.com/pantheon/ And visit www.tedwells.com.